Details
把美麗的法國小提琴，由 Laberte-Humbert 製作。
把非常漂亮的小提琴，由美麗的木材製成：令人驚嘆的火焰背板、肋骨、琴頸和非常優雅的雕刻捲軸。
做工精細的鑲邊很好地體現了小提琴的優良品質和典型的精細做工 美麗的原漆！
這把小提琴配有一組新的琴弦、新的下巴托和原廠拉弦板，隨時可以演奏。
沒有裂紋，沒有一些輕微的表面刮痕，這可能是舊小提琴的情況。
把小提琴，聲音強勁，投射力強，音色開放但溫暖。
背面尺寸：約 359 毫米（4/4）。
About Laberte-Humbert Frères :
Marc Laberte was born into a family of violin makers.
His great grandfather set up a workshop in Mirecourt around 1780.
On 21 May 1904, he married Marie Adeline Josephine Thérèse Drouin but she died on 15 December 1909.
Before her death, she gave birth to André Emile Philippe Laberte; Philippe, as he was known, would become a violin maker like his father.
After the death of his first wife, he married again, this time to Geneviève Josephine Paule Francine Thouvenin on 15 April 1912 in Besançon.
They had a daughter on 6 June 1916 named Claude.[3] In 1915 Marc Laberte joined Fourier Magnié (1868-1946) and established the new firm under the name "Laberte-Humbert Frères, Fourier Magnié Réunis".
A comprehensive catalogue, including the complete range of products and instruments in the lutherie field was published by the firm that same year.
In 1927, the firm continued its development by buying the well-known trademark "A La Ville de Cremonne” from Paul Mangenot.
One can find this mark stamped with its characteristic triangular shape on the inside back of many good Mirecourt violins of the 19th century.
Included in the deal was the use of names such as Honoré Derazey, Just Derazey, Paul Mangenot, and Didier Nicolas aîné, the last of whom was first to have used this trademark.
Soon thereafter in that same year, a new catalogue including the recently acquired brands was published, this time under the name Laberte & Magnié.
It is interesting to note that this same catalogue includes two pages dedicated to the collection of antique Italian instruments belonging to Marc Laberte and the “copies” available for purchase that were made after the originals.
On these instruments, the label of "Marc Laberte, Maître Luthier" appears beside a reproduction of the Italian maker's label. In 1931,
Laberte received the Grand Prix for the Stradivox Magné, a phonograph, which was produced in different versions.
These attempts at diversification were made to help the firm withstand the increasing competition and recession effects during that period. Unfortunately,
World War II brought despair on Mirecourt as well as the rest of Europe.
The Laberte production ended entirely, as the stock and production tools were raided and stolen.
By 1944 the firm resumed its activity, but the production never reached the same levels as prior to the war and eventually the difficult economic
climate during the post war years, led to the unavoidable decline of the Laberte production. Philippe Laberte,
Marc Laberte’s son, joined the firm during this period and tried to maintain a production catered toward the high end of the market.
Marc Laberte died in 1963.
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